النتائج

Visualizing the Holocaust : documents, aesthetics, memory

The construction of testimony: Claude Lanzmann's Shoah and its outtakes

On the liberation of perpetrator photographs in Holocaust narratives

The act of digging: archaeology, photography and forensics in 'Birthplace' and 'Holocaust by bullets'

Pinpointing evil: Nazi family photographs, remediated

Testimonial performances on screen: from the Eichmann trial to Kitty: return to Auschwitz

The real Abraham Bomba: through Claude Lanzmann's looking glass

Trial by documentary: the Harlans, between Jud Suss (1940) and Notre Nazi (1984)