Ändra språk
Sidebar content Main content
Rekord verktyg
Display vyer

Affect in the archive: Arendt, Eichmann and 'The Specialist'

Remove from selection
Add to selection
Beskrivning

Discusses Hannah Arendt and the film 'The Specialist' focusing on the question of affect and audience: as staged and disavowed in the trial articulated in "Eichmann in Jerusalem" and subsequently choreographed far more visually than discursively in the film
AIS uses strictly necessary cookies to improve the user experience.
This AIS also uses analytical cookies.