Schindler's list is not Shoah: Second commandment, popular modernism, and public memory

Tracks the critical and controversial reception of the film and the way in which visual Holocaust remembrance connects to a more general linkage with the cinmema, television and American intellectual life. Identifies three levels of public reception to 'Schindler's List' and connects them to broader issues concerning cinematic subjectivity, the question of representation and the problem of narrative