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For and against the 'bilderverbot': the rhetoric of "unrepresentability" and remediated "authenticity" in the German reception of Steven Spielberg's 'Schindler's List'

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Focuses on how the rhetoric of unrepresentability as attributed to Adorno, came to function in various reviews and debates about Steven Spielberg's film 'Schindler's List'. Describes what she senses as a no-win game when dealing with the legacy of Jewish extermination

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