Reshaping the Holocaust: Australian fiction, an Australian past, and the reconfiguration of "traditional" Holocaust narratives
[nb-NO]Title[nb-NO]Reshaping the Holocaust: Australian fiction, an Australian past, and the reconfiguration of "traditional" Holocaust narratives
[nb-NO]Author[nb-NO]
Call numberS940.5318/005
[nb-NO]Object number[nb-NO]05556jb
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Routledge
[nb-NO]Year of publication[nb-NO]
2016
[nb-NO]Dimensions[nb-NO]pp 65-83
[nb-NO]Material[nb-NO]Article
NotesArticle from the journal 'Holocaust studies: a journal of culture and history',vol 22, issue 1, pp65-83
[nb-NO]Description[nb-NO]
Some Australian fiction promotes a unique stance in regard to the Holocaust and the Third Reich. Reading Helen Demidenko/Darville's "The hand that signed the paper" and James McQueen's "White light", the author shows that a cultural naivety exists in Australia, due to historical and cultural influences since the Second World War. These factors have influenced the country's memorializatiion of, and response to, the Holocaust