![[nb-NO]Go to[nb-NO] Sydney Jewish Museum [nb-NO]Home page[nb-NO]](/AIS/Content/Images/logo_b3660c53.svg){kind=logo}
'The Prisoner' (1952) and the perpetrator in early post-war British television
[nb-NO]Title[nb-NO]'The Prisoner' (1952) and the perpetrator in early post-war British television
[nb-NO]Author[nb-NO]
Call numberS940.5318/005
[nb-NO]Object number[nb-NO]05556gn
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Vallentine Mitchell
[nb-NO]Year of publication[nb-NO]
2011
[nb-NO]Dimensions[nb-NO]pp207-229
[nb-NO]Material[nb-NO]Article
NotesArticle from the journal 'Holocaust Studies: a journal of culture and history' Vol.17 No.2-3 Autumn/Winter 2011 pp207-229
[nb-NO]Description[nb-NO]
Investigates the political implications of the 1952 British television play 'The Prisoner', an early representation of the state of Israel that provoked consternation due to its depiction of a murdered Israeli minister as a former Nazi. This controversy is explored using production files, newspaper reports and the script of the play