Theatrical images of genocide: Four plays
[nb-NO]Title[nb-NO]Theatrical images of genocide: Four plays
[nb-NO]Author[nb-NO]
Call number940.5318/0149
[nb-NO]Object number[nb-NO]05247BC
[nb-NO]Place of publication[nb-NO]Oxford, England
[nb-NO]Publisher[nb-NO]Pergamon Press
[nb-NO]Year of publication[nb-NO]
1989
[nb-NO]Pagination[nb-NO]Vol.2 pp1718-1727
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]80367542
NotesPapers from "Remembering for the Future:papers and addenda" pp1718-1727
[nb-NO]Description[nb-NO]
Considers four modern genocide-themed plays: James W Nichols' "Sainte-Marie Among the Hurons" (1977), about the destruction of Canada's Huron Indians; Arthur Kopit's "Indians" (1968), an anti-Vietnam play disguised as one about native Americans; Christopher Hampton's "Savages" (1973), about the slaughter of Amazonian Indians; and Thomas Kenneally's "Bullie's House" (1980), about Australian Aborigines. The plays are characterised as informational, presenting history to those unfamiliar with it; expressions of concern for the destruction of human beings; and helpful in making Holocaust denial less possible.