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(Re-) visualizing the 'heart' of hell ? Representations of the Auschwitz Sonderkommando in the art of David Olere and 'Son of Saul' (Laszlo Nemes, 2015)
[nb-NO]Title[nb-NO](Re-) visualizing the 'heart' of hell ? Representations of the Auschwitz Sonderkommando in the art of David Olere and 'Son of Saul' (Laszlo Nemes, 2015)
[nb-NO]Author[nb-NO]
Call numberS940.5318/005
[nb-NO]Object number[nb-NO]05556ob
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Routledge
[nb-NO]Year of publication[nb-NO]
2021
[nb-NO]Pagination[nb-NO]pp131-146
[nb-NO]Material[nb-NO]Article
NotesArticle from the journal 'Holocaust studies: a journal of culture and history' Vol 27, No.1, 2021 pp131-146
[nb-NO]Description[nb-NO]
This paper discusses debates over whether there are limits in representing the experience of the Sonderkommando in Auschwitz, with particular reference to Son of Saul. While 'Son of Saul' does not fully represent the 'heart of hell', it nevertheless offers an important creative exploration of that experience