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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor Remove from selection Toevoegen aan selectie [nb-NO]Title[nb-NO]Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor [nb-NO]Author[nb-NO] John Felstiner Call number940.5318072/0011 [nb-NO]Object number[nb-NO]01804O [nb-NO]Place of publication[nb-NO]Cambridge, Massachusetts, United States [nb-NO]Publisher[nb-NO]Harvard University Press [nb-NO]Year of publication[nb-NO] 1992 [nb-NO]Pagination[nb-NO]pp240-258 [nb-NO]Material[nb-NO]Article [nb-NO]ISBN[nb-NO]674707664 NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105 [nb-NO]Description[nb-NO] The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

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[nb-NO]Title[nb-NO]Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

[nb-NO]Author[nb-NO]

John Felstiner

Call number940.5318072/0011

[nb-NO]Object number[nb-NO]01804O

[nb-NO]Place of publication[nb-NO]Cambridge, Massachusetts, United States

[nb-NO]Publisher[nb-NO]Harvard University Press

[nb-NO]Year of publication[nb-NO]

1992

[nb-NO]Pagination[nb-NO]pp240-258

[nb-NO]Material[nb-NO]Article

[nb-NO]ISBN[nb-NO]674707664

NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105

[nb-NO]Description[nb-NO]

The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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