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Haneke and the camps
[nb-NO]Title[nb-NO]Haneke and the camps
[nb-NO]Author[nb-NO]
Call number791.43658/0009
[nb-NO]Object number[nb-NO]10784d
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Legenda
[nb-NO]Year of publication[nb-NO]
2013
[nb-NO]Pagination[nb-NO]pp84-96
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Moving Image (Modern Humanities Research Association)
NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp84-96
[nb-NO]Description[nb-NO]
In his chapter Max Silverman considers two films by Michael Haneke "Funny games" (1997) and "The white ribbon" (2009) and shows how the image in Haneke becomes a site of intersection between different times and places and how scenes become haunted by a dark presence of unimaginable cruelty, invisibly located in the present and shaped in the form of the camp