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Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"
[nb-NO]Title[nb-NO]Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"
[nb-NO]Author[nb-NO]
Call number791.43658/0009
[nb-NO]Object number[nb-NO]10784c
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Legenda
[nb-NO]Year of publication[nb-NO]
2013
[nb-NO]Pagination[nb-NO]pp66-83
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Moving Image (Modern Humanities Research Association)
NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83
[nb-NO]Description[nb-NO]
Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form