Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era
[nb-NO]Title[nb-NO]' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era
[nb-NO]Author[nb-NO]
Call number296/0053
[nb-NO]Object number[nb-NO]10727b
[nb-NO]Place of publication[nb-NO]Sydney, New South Wales, Australia
[nb-NO]Publisher[nb-NO]Mandelbaum Publishing
[nb-NO]Year of publication[nb-NO]
2004
[nb-NO]Pagination[nb-NO]pp137-163
[nb-NO]Material[nb-NO]Article
NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163
[nb-NO]Description[nb-NO]
In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated