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Three performances, different responses: bringing early Holocaust commemoration to the stage
[nb-NO]Title[nb-NO]Three performances, different responses: bringing early Holocaust commemoration to the stage
[nb-NO]Author[nb-NO]
Call numberS940.5318/005
[nb-NO]Object number[nb-NO]05556NL
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Routledge
[nb-NO]Year of publication[nb-NO]
2020
[nb-NO]Pagination[nb-NO]pp381-400
[nb-NO]Material[nb-NO]Article
NotesArticle from the journal 'Holocaust studies: a journal of culture and history',Vol 26, no.3, 2020 pp381-400
[nb-NO]Description[nb-NO]
Discusses performances of a pageant called Mother Rachel and her children written by Helsinki-born Jac Weinstein in 1948 as a work of Holocaust commemoration and the radically different ways in which three audiences in the US, UK, and the Czech Republic that viewed the play in 2016 interacted with it during post-performance discussions.