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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	mother of all Holocaust films?: Wanda Jakubowska's Auschwitz trilogy Remove from selection Toevoegen aan selectie [nb-NO]Title[nb-NO]The mother of all Holocaust films?: Wanda Jakubowska's Auschwitz trilogy [nb-NO]Author[nb-NO] Hanno Loewy Call numberP791.430909358/025 [nb-NO]Object number[nb-NO]10209 [nb-NO]Place of publication[nb-NO]London, England [nb-NO]Publisher[nb-NO]Routledge [nb-NO]Year of publication[nb-NO] 2004 [nb-NO]Material[nb-NO]Loose-leaf NotesArticle from the journal 'Historical Journal of Film, Radio and Television' Vol.24 No.2, 2004 [nb-NO]Description[nb-NO] Addresses three films and their impact on the cinematic representation of the Holocaust from different sides. The films are 'The Last stop/The last stage', The end of our world and Invitation

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mother of all Holocaust films?: Wanda Jakubowska's Auschwitz trilogy

Toevoegen aan selectie

[nb-NO]Title[nb-NO]The mother of all Holocaust films?: Wanda Jakubowska's Auschwitz trilogy

[nb-NO]Author[nb-NO]

Hanno Loewy

Call numberP791.430909358/025

[nb-NO]Object number[nb-NO]10209

[nb-NO]Place of publication[nb-NO]London, England

[nb-NO]Publisher[nb-NO]Routledge

[nb-NO]Year of publication[nb-NO]

2004

[nb-NO]Material[nb-NO]Loose-leaf

NotesArticle from the journal 'Historical Journal of Film, Radio and Television' Vol.24 No.2, 2004

[nb-NO]Description[nb-NO]

Addresses three films and their impact on the cinematic representation of the Holocaust from different sides. The films are 'The Last stop/The last stage', The end of our world and Invitation

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