From "degenerate art" to "looted art": developments and consequences of National Socialist Cultural Policy
[nb-NO]Title[nb-NO]From "degenerate art" to "looted art": developments and consequences of National Socialist Cultural Policy
[nb-NO]Author[nb-NO]
Call number709.497/0002
[nb-NO]Object number[nb-NO]09848a
[nb-NO]Place of publication[nb-NO]Durham, North Carolina, United States
[nb-NO]Publisher[nb-NO]Duke University Press
[nb-NO]Year of publication[nb-NO]
2017
[nb-NO]Pagination[nb-NO]pp9-33
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]9780822368649
NotesArticle from the book "Nazi-looted art and its legacies" pp9-33
[nb-NO]Description[nb-NO]
This article aims to explain the genesis, dynamics and contradictions of National Socialist policy on art in 1937-38. Degenerate art points to the extremes of a state-run campaign against modern art that was part of a broader attempt to impose the National Socialist conception of art by force. Exhibitions of degenerate art became a fixed feature of ideological, anticommunist and anti-semitic propaganda. Goebbels organized the 'Entartete Kunst' exhibition where the theme of degenerate art was chosen as the subject of a propaganda show. 'The art of decay since 1910' removed from German museums represented a terrible loss and destruction of German culture