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Pinpointing evil: Nazi family photographs, remediated
[nb-NO]Title[nb-NO]Pinpointing evil: Nazi family photographs, remediated
[nb-NO]Author[nb-NO]
Call number940.5318/0493
[nb-NO]Object number[nb-NO]09624j
[nb-NO]Place of publication[nb-NO]New York, New York, United States
[nb-NO]Publisher[nb-NO]Camden House
[nb-NO]Year of publication[nb-NO]
2016
[nb-NO]Pagination[nb-NO]pp194-213
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Dialogue and disjunction: studies in Jewish German literature, culture, and thought
[nb-NO]ISBN[nb-NO]9781571139610
NotesArticle from the book 'Persistent legacy : the Holocaust and German studies.' pp194-213
[nb-NO]Description[nb-NO]
Examining the representation of family history by descendants of perpetrators in Peter Schneider's para-fictional text "Vati", in the 2011 documentary film "Hitler's children" and in Vanessa Lapa's compilation film about Heinrich Himmler, "The decent one" (2014) Prager draws attention to the acts of reading, interpretation, and remediation that are involved in re-narrating familial implication in Nazi history
