'Ordinary women' as perpetrators in European Holocaust films
[nb-NO]Title[nb-NO]'Ordinary women' as perpetrators in European Holocaust films
[nb-NO]Author[nb-NO]
Call number940.5318/0463
[nb-NO]Object number[nb-NO]09278m
[nb-NO]Place of publication[nb-NO]New York, New York, United States
[nb-NO]Publisher[nb-NO]Palgrave Macmillan
[nb-NO]Year of publication[nb-NO]
2015
[nb-NO]Pagination[nb-NO]pp214-230
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]The Holocaust and its contexts
[nb-NO]ISBN[nb-NO]9781137530417
NotesArticle from the book 'Revisiting Holocaust representation in the post-witnessing era' pp214-230
[nb-NO]Description[nb-NO]
This article is concerned with the representation of 'ordinary women' as perpetrators in European Holocaust cinema. Refers to films that portray the persecution set in place by the Nazis, but also to films that endeavour to contextualize the Holocaust and examine its roots, its perpetrators, victims and their unique experiences. Examines how the films 'Downfall' by Oliver Hirschbiegel and 'The reader' by Stephen Daldry portray women as not fundamentally evil, but as unable, or unwilling to see the bigger picture of the persecution to which they were contributing