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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	Good morning, Mr. Hitler Remove from selection Toevoegen aan selectie [nb-NO]Title[nb-NO]Good morning, Mr. Hitler [nb-NO]Author[nb-NO] Dana Arieli-Horowitz Call number305.8924/0079 [nb-NO]Object number[nb-NO]02240i [nb-NO]Place of publication[nb-NO]Israel [nb-NO]Publisher[nb-NO]The Hebrew University of Jerusalem [nb-NO]Year of publication[nb-NO] 2006 [nb-NO]Pagination[nb-NO]pp112-114 [nb-NO]Material[nb-NO]Article NotesArticle from the journal 'Antisemitism internationa'l No.3-4, 112-114 [nb-NO]Description[nb-NO] This film provides us with an entirley novel perspective with which to understand not only the relationship between art and politics, or the aesthetic dimension of Nazi racism, but also the seductive hold of Nazism over the German masses in the 1930s

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Good morning, Mr. Hitler

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[nb-NO]Title[nb-NO]Good morning, Mr. Hitler

[nb-NO]Author[nb-NO]

Dana Arieli-Horowitz

Call number305.8924/0079

[nb-NO]Object number[nb-NO]02240i

[nb-NO]Place of publication[nb-NO]Israel

[nb-NO]Publisher[nb-NO]The Hebrew University of Jerusalem

[nb-NO]Year of publication[nb-NO]

2006

[nb-NO]Pagination[nb-NO]pp112-114

[nb-NO]Material[nb-NO]Article

NotesArticle from the journal 'Antisemitism internationa'l No.3-4, 112-114

[nb-NO]Description[nb-NO]

This film provides us with an entirley novel perspective with which to understand not only the relationship between art and politics, or the aesthetic dimension of Nazi racism, but also the seductive hold of Nazism over the German masses in the 1930s

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