Postmemory, afterimages, transferred loss: first and third generation Holocaust trauma in American literatrue and film
[nb-NO]Title[nb-NO]Postmemory, afterimages, transferred loss: first and third generation Holocaust trauma in American literatrue and film
[nb-NO]Author[nb-NO]
Call number700.458405318/0001
[nb-NO]Object number[nb-NO]09103d
[nb-NO]Place of publication[nb-NO]Heidelberg, Germany
[nb-NO]Publisher[nb-NO]Universitatsverlag Winter
[nb-NO]Year of publication[nb-NO]
2010
[nb-NO]Pagination[nb-NO]pp63-74
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]American studies ; v. 189
[nb-NO]ISBN[nb-NO]9783825357344
NotesArticle from the book 'The Holocaust, art, and taboo : transatlantic exchanges on the ethics and aesthetics of representation' pp63-74
[nb-NO]Description[nb-NO]
Investigates the various ways in which the trauma of the Holocaust is represented by first and third generation authors and filmmakers. Codde outlines shifts in the evolution of Holocaust trauma representation from the creation of 'traumatic afterimages' in Holocaust survivors, to second generation inherited trauma to third generation 'postmemory. Holocaust trauma of the third generation is no longer effectively represented by visual means only'