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Right after: aesthetics and trauma in survivor visual narratives
[nb-NO]Title[nb-NO]Right after: aesthetics and trauma in survivor visual narratives
[nb-NO]Author[nb-NO]
Call number700.458405318/0001
[nb-NO]Object number[nb-NO]09103c
[nb-NO]Place of publication[nb-NO]Heidelberg, Germany
[nb-NO]Publisher[nb-NO]Universitatsverlag Winter
[nb-NO]Year of publication[nb-NO]
2010
[nb-NO]Pagination[nb-NO]pp49-61
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]American studies ; v. 189
[nb-NO]ISBN[nb-NO]9783825357344
NotesArticle from the book 'The Holocaust, art, and taboo : transatlantic exchanges on the ethics and aesthetics of representation' pp49-61
[nb-NO]Description[nb-NO]
Zemel traces how immediate post-Holocaust representation transforms memory fragments into narratives and how visual means such as space, scale, colour etc. are employed to this end Through close readings of drawings by Thomas Greve, David Olere and Alfred Kantor, Zemel discovers three distinct strategies of aestheticizing trauma in the survivors' visual narratives
