Body double: portraits, memory, and the face of evil
[nb-NO]Title[nb-NO]Body double: portraits, memory, and the face of evil
[nb-NO]Author[nb-NO]
Call number940.5318072/0063
[nb-NO]Object number[nb-NO]09012b
[nb-NO]Place of publication[nb-NO]Lanham, Maryland, United States
[nb-NO]Publisher[nb-NO]Lexington Books
[nb-NO]Year of publication[nb-NO]
2014
[nb-NO]Pagination[nb-NO]pp15-27
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]9780739181959
NotesArticle from the book 'Ethics, art and representations of the Holocaust.' pp15-27
[nb-NO]Description[nb-NO]
A central argument about representation and the Holocaust circles around the impossibility to represent it and its magnitude or as the unspeakable. Against this challenge artist Christine Borland's "L,Homme Double" a likeness of Josef Mengele was included in what became a controversial exhibition at the Jewish Museum, New York. Borland's installation is at the kernel of the long-standing debate concerning the taboo against images that represent the unspeakable