Disappearing traces: Emmanuel Levinas, Ida Fink's literary testimony and Holocaust art
[nb-NO]Title[nb-NO]Disappearing traces: Emmanuel Levinas, Ida Fink's literary testimony and Holocaust art
[nb-NO]Author[nb-NO]
Call number111.85/0001
[nb-NO]Object number[nb-NO]08262a
[nb-NO]Publisher[nb-NO]State University of New York Press
[nb-NO]Year of publication[nb-NO]
2002
[nb-NO]Pagination[nb-NO]vi, 310p.index pp97-115
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]SUNY series in aesthetics and the philosophy of art
[nb-NO]ISBN[nb-NO]0791451968
NotesArticle from the book 'Between ethics and aesthetics'pp97-115
[nb-NO]Description[nb-NO]
Levinas' writings open up a possibility of new aesthetic practices in the context of Holocaust literature and art. Glowacka argues that reconceptualizing aesthetics in terms of bearing witness to the Other is particularly relevant to aesthetic practices that have been inspired by the Holocaust. Glowacka illustrates her argument with examples from the literary testimony by Ida Fink