Resnais and the dead
[nb-NO]Title[nb-NO]Resnais and the dead
[nb-NO]Author[nb-NO]
Call number791.43658/0004
[nb-NO]Object number[nb-NO]08192d
[nb-NO]Place of publication[nb-NO]New York, New York, United States
[nb-NO]Publisher[nb-NO]Berghahn Books
[nb-NO]Year of publication[nb-NO]
2011
[nb-NO]Pagination[nb-NO]pp126-139
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]9780857453518
NotesArticle from the book 'Concentrationary cinema' pp126-139
[nb-NO]Description[nb-NO]
Wilson has long studied Resnais's cinema and identified some of its recurrent concerns with materiality rather than vision. The attempt to find a mode of response to the camps is effected through the use of still photographs and moving images, and through attention to material objects, clothing, personal effects and even physical remains