Film
[nb-NO]Title[nb-NO]Film
[nb-NO]Author[nb-NO]
Call number940.5318/0385
[nb-NO]Object number[nb-NO]06034ac
[nb-NO]Place of publication[nb-NO]Oxford, England
[nb-NO]Publisher[nb-NO]Oxford University Press
[nb-NO]Year of publication[nb-NO]
2010
[nb-NO]Pagination[nb-NO]pp444-460
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Oxford handbooks
[nb-NO]ISBN[nb-NO]9780199211869
NotesArticle from the book ' The Oxford Handbook of Holocaust Studies' pp444-460
[nb-NO]Description[nb-NO]
The representation of the Holocaust began with the Third Reich's propaganda films and the footage taken by the Allies at liberated concentation camps. In the early postwar years European filmmakers exaggerated resistance against Nazi policies while Hollywood avoided the topic. The NBC miniseries 'Holocaust', and the documentary 'Shoah' shattered these patterns