A child survives in Drohobycz: the story behind Alicia Melamed Adam's paintings
[nb-NO]Title[nb-NO]A child survives in Drohobycz: the story behind Alicia Melamed Adam's paintings
[nb-NO]Author[nb-NO]
Call number940.5318/0358
[nb-NO]Object number[nb-NO]08009m
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Vallentine Mitchell
[nb-NO]Year of publication[nb-NO]
2011
[nb-NO]Pagination[nb-NO]pp281-302
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Landscapes after battle ; v. 2
[nb-NO]ISBN[nb-NO]9780853039426
NotesArticle from the book 'Justice, politics and memory in Europe after the second World War' pp281-302
[nb-NO]Description[nb-NO]
For Alicia Melamed Adams painting her lost family was a means to visually represent and come to terms with trauma and loss two decades after the events themselves. She was the only survivor from her family and she survived by marrying, at fifteen, the son of a family who manufactured uniforms for the occupying German forces. For her painting was a private form of remembering.