Conversations at the mill
[nb-NO]Title[nb-NO]Conversations at the mill
[nb-NO]Author[nb-NO]
Call number791.430909358/0014
[nb-NO]Object number[nb-NO]07326h
[nb-NO]Publisher[nb-NO]State University of New York Press
[nb-NO]Year of publication[nb-NO]
2010
[nb-NO]Pagination[nb-NO]pp107-145
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]The SUNY series, horizons of cinema
[nb-NO]ISBN[nb-NO]9781438430263
NotesArticle from the book 'Cinema & the Shoah' pp107-145
[nb-NO]Description[nb-NO]
This article is a compilation of a conversation and debate by Desplechin (filmmaker), Frodon and Mandelbaum (film critics), Lindeperg and Wieviorka (historians) and Mondzain (philosopher) on the question of how the Shoah affected, and continues to affect, the cinema. This question is discussed in relation to four films: "To be or not to be" by Lubitsch; "Night and fog" by Resnais; L'avontura" by Antonioni and "Drancy avenir" by des Palieres.