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Affect in the archive: Arendt, Eichmann and 'The Specialist'
[nb-NO]Title[nb-NO]Affect in the archive: Arendt, Eichmann and 'The Specialist'
[nb-NO]Author[nb-NO]
Call number940.5318/0324
[nb-NO]Object number[nb-NO]06779i
[nb-NO]Place of publication[nb-NO]Rochester, New York, United States
[nb-NO]Publisher[nb-NO]Camden House
[nb-NO]Year of publication[nb-NO]
2008
[nb-NO]Pagination[nb-NO]pp211-238
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Screen cultures: German film and the visual
[nb-NO]ISBN[nb-NO]9781571133830
NotesArticle fromthe book 'Visualizing the Holocaust' pp211-238
[nb-NO]Description[nb-NO]
Discusses Hannah Arendt and the film 'The Specialist' focusing on the question of affect and audience: as staged and disavowed in the trial articulated in "Eichmann in Jerusalem" and subsequently choreographed far more visually than discursively in the film
