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For and against the 'bilderverbot': the rhetoric of "unrepresentability" and remediated "authenticity" in the German reception of Steven Spielberg's 'Schindler's List'
[nb-NO]Title[nb-NO]For and against the 'bilderverbot': the rhetoric of "unrepresentability" and remediated "authenticity" in the German reception of Steven Spielberg's 'Schindler's List'
[nb-NO]Author[nb-NO]
Call number940.5318/0324
[nb-NO]Object number[nb-NO]06779g
[nb-NO]Place of publication[nb-NO]Rochester, New York, United States
[nb-NO]Publisher[nb-NO]Camden House
[nb-NO]Year of publication[nb-NO]
2008
[nb-NO]Pagination[nb-NO]pp162-184
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Screen cultures: German film and the visual
[nb-NO]ISBN[nb-NO]9781571133830
NotesArticle from the book 'Visualizing the Holocaust' pp162-184
[nb-NO]Description[nb-NO]
Focuses on how the rhetoric of unrepresentability as attributed to Adorno, came to function in various reviews and debates about Steven Spielberg's film 'Schindler's List'. Describes what she senses as a no-win game when dealing with the legacy of Jewish extermination
