Claude Lanzmann's 'Shoah' and the intentionality of the image
[nb-NO]Title[nb-NO]Claude Lanzmann's 'Shoah' and the intentionality of the image
[nb-NO]Author[nb-NO]
Call number940.5318/0324
[nb-NO]Object number[nb-NO]06779f
[nb-NO]Place of publication[nb-NO]Rochester, New York, United States
[nb-NO]Publisher[nb-NO]Camden House
[nb-NO]Year of publication[nb-NO]
2008
[nb-NO]Pagination[nb-NO]pp138-161
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Screen cultures: German film and the visual
[nb-NO]ISBN[nb-NO]9781571133830
NotesArticle fromthe book 'Visualizing the Holocaust' pp138-161
[nb-NO]Description[nb-NO]
D'Arcy disregards the either/or question as to whether the film 'Shoah' is true or not true to Lanzmann's 'intentions' in order to show how his philosophical intentions themselves reveal contradictions