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Whose trauma is it? Identification and secondary witnessing in the age of postmemory
[nb-NO]Title[nb-NO]Whose trauma is it? Identification and secondary witnessing in the age of postmemory
[nb-NO]Author[nb-NO]
Call number940.5318/0324
[nb-NO]Object number[nb-NO]06779c
[nb-NO]Place of publication[nb-NO]Rochester, New York, United States
[nb-NO]Publisher[nb-NO]Camden House
[nb-NO]Year of publication[nb-NO]
2008
[nb-NO]Pagination[nb-NO]pp62-85
[nb-NO]Material[nb-NO]Article
[nb-NO]Series title[nb-NO]Screen cultures: German film and the visual
[nb-NO]ISBN[nb-NO]9781571133830
NotesArticle fromthe book 'Visualizing the Holocaust' pp62-85
[nb-NO]Description[nb-NO]
Compares Marianne Hirsch's discussion of second-generation approaches to Holocaust memory through Holocaust photos, with Daniel Libeskinds's characterization of his work on Jewish history and memory in Berlin 'as an architecture of trauma'
