![[nb-NO]Go to[nb-NO] Sydney Jewish Museum [nb-NO]Home page[nb-NO]](/AIS/Content/Images/logo_b3660c53.svg){kind=logo}
Happy, happy ever after: story and history in Art Spiegelman's Maus
[nb-NO]Title[nb-NO]Happy, happy ever after: story and history in Art Spiegelman's Maus
[nb-NO]Author[nb-NO]
Call number809.93358/0014
[nb-NO]Object number[nb-NO]04427e
[nb-NO]Place of publication[nb-NO]Tuscaloosa, Alabama, United States
[nb-NO]Publisher[nb-NO]University of Alabama Press
[nb-NO]Year of publication[nb-NO]
2003
[nb-NO]Pagination[nb-NO]pp105-121
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0817313761
NotesArticle from the book 'Considering Maus' pp105-121
[nb-NO]Description[nb-NO]
Wilner turns to the portrayals of Mandelbaum and Vladek to discuss Spiegelman's approach to the meeting of narrative and history, that which in the shadow of the Holocaust resists totalizing representations, but must be told.
