![[nb-NO]Go to[nb-NO] Sydney Jewish Museum [nb-NO]Home page[nb-NO]](/AIS/Content/Images/logo_b3660c53.svg){kind=logo}
orphaned voice in Art Speigelmann's Maus
[nb-NO]Title[nb-NO]The orphaned voice in Art Speigelmann's Maus
[nb-NO]Author[nb-NO]
Call number809.93358/0014
[nb-NO]Object number[nb-NO]04427b
[nb-NO]Place of publication[nb-NO]Tuscaloosa, Alabama, United States
[nb-NO]Publisher[nb-NO]University of Alabama Press
[nb-NO]Year of publication[nb-NO]
2003
[nb-NO]Pagination[nb-NO]pp26-43
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0817313761
NotesArticle from the book 'Considering Maus' pp26-43
[nb-NO]Description[nb-NO]
The effect of being a second-generation surivor-translator can be traumatic. Bosmajian emphasizes that the 'Hell Planet' in which Art/Artie finds himself is connected to his feelings of guilt and abondonment as an 'orphaned' child of Holocaust survivors.
