persistence of Holocaust imagery in American art
[nb-NO]Title[nb-NO]The persistence of Holocaust imagery in American art
[nb-NO]Author[nb-NO]
Call number940.5318/0223
[nb-NO]Object number[nb-NO]04298i
[nb-NO]Place of publication[nb-NO]Edmonton, Alberta, Canada
[nb-NO]Publisher[nb-NO]University of Alberta Press
[nb-NO]Year of publication[nb-NO]
2000
[nb-NO]Pagination[nb-NO]pp124-139
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0888643373
NotesArticle from the book 'The Holocaust's ghost' pp124-139
[nb-NO]Description[nb-NO]
Considers American artists' depictions of the Holocaust, noting that most prefer realism to abstraction, are less inclined to couch their imagery in mythological or biblical terms, and that most prefer a more precise Jewish content to universalism. Artists discussed include Mark Rothko, Ben Shahn and Judy Chicago, all of whom are characterised by a desire to avoid asestheticising the Holocaust in their art.