Culture under duress: art and the Holocaust
[nb-NO]Title[nb-NO]Culture under duress: art and the Holocaust
[nb-NO]Author[nb-NO]
Call number940.5318/0223
[nb-NO]Object number[nb-NO]04298f
[nb-NO]Place of publication[nb-NO]Edmonton, Alberta, Canada
[nb-NO]Publisher[nb-NO]University of Alberta Press
[nb-NO]Year of publication[nb-NO]
2000
[nb-NO]Pagination[nb-NO]pp84-96
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0888643373
NotesArticle from the book 'The Holocaust's ghost' pp84-96
[nb-NO]Description[nb-NO]
Paradoxically, the Holocaust had one positive feature: it encouraged the production of art by its victims. Its significance was not fully aknowledged until the 1980s. Today only about 20% of it survives. It includes portraits, landscapes, still lifes, caricatures and abstracts. Germans would occasionally commission portraits as gifts to their families or superiors. As well, inmates often bartered art for food, clothing, better quarters or more lenient treatment, Conclusion: "Holocaust art enables us to study virtually all aspects of the Holocaust."