Binjamin Wilkomirski's 'Fragments' and Holocaust envy: 'Why wasn't I there too?'
[nb-NO]Title[nb-NO]Binjamin Wilkomirski's 'Fragments' and Holocaust envy: 'Why wasn't I there too?'
[nb-NO]Author[nb-NO]
Call number940.5318/0217
[nb-NO]Object number[nb-NO]05800L
[nb-NO]Place of publication[nb-NO]London, England
[nb-NO]Publisher[nb-NO]Vallentine Mitchell
[nb-NO]Year of publication[nb-NO]
2003
[nb-NO]Pagination[nb-NO]pp249-268
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0853034958
NotesArticle from the book 'Representing the Holocaust' pp249-268
[nb-NO]Description[nb-NO]
Argues that as Wilkomirski's 'Fragments' is best viewed as the fictional portrait of a child preoccupied with Holocaust realities in the post-war world, it is an unwitting allegory of its own production