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Holocaust as vicarious past: Art Spiegelman's Maus and the afterimages of history
[nb-NO]Title[nb-NO]The Holocaust as vicarious past: Art Spiegelman's Maus and the afterimages of history
[nb-NO]Author[nb-NO]
Call number809.93358/0010
[nb-NO]Object number[nb-NO]04197B
[nb-NO]Place of publication[nb-NO]Madison, Wisconsin, United States
[nb-NO]Publisher[nb-NO]University of Wisconsin Press
[nb-NO]Year of publication[nb-NO]
2003
[nb-NO]Pagination[nb-NO]pp23-45
[nb-NO]Material[nb-NO]Article
[nb-NO]ISBN[nb-NO]0299183645
NotesArticle from the book 'Witnessing the disaster' pp23-45
[nb-NO]Description[nb-NO]
Maus: a survivor's tale is not about the Holocaust so much as it is about the survivor's and the artist-son's recovery of it. Throughout the narrative 'Maus' presumes a particular paradigm for history itself, a conception of past historical events that include the present conditions under which they are being remembered.
