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Theodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz
[nb-NO]Title[nb-NO]Theodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz
[nb-NO]Author[nb-NO]
Call number940.5318/0593
[nb-NO]Object number[nb-NO]11617d
[nb-NO]Place of publication[nb-NO]Leiden, Netherlands
[nb-NO]Publisher[nb-NO]Brill
[nb-NO]Year of publication[nb-NO]
2021
[nb-NO]Pagination[nb-NO]pp 65-73
[nb-NO]Material[nb-NO]Book
NotesArticle from the book 'Remembering the Holocaust in Germany, Austria, Italy and Israel : "vergangenheitsbewältigung" as a historical quest' pp 65-73
[nb-NO]Description[nb-NO]
Discusses the Beckettian representation of the end time at Auschwitz through the works of Adorno and Anders. The main thesis is that Auschwitz is a Beckettian no-mans land, where it is impossible to distinguish between life and death