Shoah after 'Shoah': memory, the body, and the future of the Holocaust in French cinema
[nb-NO]Title[nb-NO]The Shoah after 'Shoah': memory, the body, and the future of the Holocaust in French cinema
[nb-NO]Author[nb-NO]
Call numberP791.430909358/033
[nb-NO]Object number[nb-NO]11295
[nb-NO]Place of publication[nb-NO]Baltimore, Maryland, United States
[nb-NO]Publisher[nb-NO]John Hopkins University Press
[nb-NO]Year of publication[nb-NO]
2010
[nb-NO]Pagination[nb-NO]14p.
[nb-NO]Material[nb-NO]Loose-leaf
NotesArticle from the journal 'L'Esprit Createur', vol.50 No.4 (2010) pp122-136
[nb-NO]Description[nb-NO]
Analyzes Claude Lanzmann's film 'Shoah' and its impact on subsequent films dealing with the legacy of the Holocaust - specifically Marceline Loridan-Ivens 'La Petite Prairie aux bouleaux'