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Domestic space in the films of Chantal Akerman and Claude Lanzmann

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Descrizione

This paper considers how the work of two filmmakers, Chantal Ackerman (Dis-Moi and No Home Movie) and Claude Lanzmann (Shoah) explore other possibilities of recording testimony in domestic space, possibilities which respond to that space's lived-in-nature and render visible those moments that often elude the camera.

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