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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor Remove from selection Add to selection TitoloTranslating Paul Celan's "Todesfuge": rhythm and repetition as metaphor Autore John Felstiner Call number940.5318072/0011 Numero oggetto01804O Luogo di pubblicazioneCambridge, Massachusetts, United States EditoreHarvard University Press Anno di pubblicazione 1992 Paginazionepp240-258 MaterialeArticle ISBN674707664 NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105 Descrizione The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

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TitoloTranslating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

Autore

John Felstiner

Call number940.5318072/0011

Numero oggetto01804O

Luogo di pubblicazioneCambridge, Massachusetts, United States

EditoreHarvard University Press

Anno di pubblicazione

1992

Paginazionepp240-258

MaterialeArticle

ISBN674707664

NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105

Descrizione

The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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