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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	Haneke and the camps Remove from selection Add to selection TitoloHaneke and the camps Autore Max Silverman Call number791.43658/0009 Numero oggetto10784d Luogo di pubblicazioneLondon, England EditoreLegenda Anno di pubblicazione 2013 Paginazionepp84-96 MaterialeArticle SerieMoving Image (Modern Humanities Research Association) NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp84-96 Descrizione In his chapter Max Silverman considers two films by Michael Haneke "Funny games" (1997) and "The white ribbon" (2009) and shows how the image in Haneke becomes a site of intersection between different times and places and how scenes become haunted by a dark presence of unimaginable cruelty, invisibly located in the present and shaped in the form of the camp

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Haneke and the camps

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TitoloHaneke and the camps

Autore

Max Silverman

Call number791.43658/0009

Numero oggetto10784d

Luogo di pubblicazioneLondon, England

EditoreLegenda

Anno di pubblicazione

2013

Paginazionepp84-96

MaterialeArticle

SerieMoving Image (Modern Humanities Research Association)

NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp84-96

Descrizione

In his chapter Max Silverman considers two films by Michael Haneke "Funny games" (1997) and "The white ribbon" (2009) and shows how the image in Haneke becomes a site of intersection between different times and places and how scenes become haunted by a dark presence of unimaginable cruelty, invisibly located in the present and shaped in the form of the camp

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