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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" Remove from selection Add to selection TitoloTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" Autore Rascaroli Laura Call number791.43658/0009 Numero oggetto10784c Luogo di pubblicazioneLondon, England EditoreLegenda Anno di pubblicazione 2013 Paginazionepp66-83 MaterialeArticle SerieMoving Image (Modern Humanities Research Association) NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83 Descrizione Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

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TitoloTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

Autore

Rascaroli Laura

Call number791.43658/0009

Numero oggetto10784c

Luogo di pubblicazioneLondon, England

EditoreLegenda

Anno di pubblicazione

2013

Paginazionepp66-83

MaterialeArticle

SerieMoving Image (Modern Humanities Research Association)

NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83

Descrizione

Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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