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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust Remove from selection Add to selection TitoloThe film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust Autore Sarka Sladovnikova Call number808.93358/0043 Numero oggetto09617g Luogo di pubblicazioneStuttgart, Germany Editoreibidem Anno di pubblicazione 2016 Paginazionepp 243-253 MaterialeArticle SerieLiteratur und Kultur im mittleren und o¨stlichen Europa, 5. ISBN9783838209524 NotesArticle from the book 'The Holocaust in the Central European literatures and cultures : problems of poetization and aesteticization, proceedings of the International Workshop, 18-19 June 2015', pp231-241 Descrizione The film "Colette" was made in 2013 by Milan Cieslar and narrates a love story with Auschwitz as a back drop. The film presents a naturalistic picture of an extermination camp and the Holocaust, and stresses violence and nudity. It is the first of its kind in the Czech Republic and there are not many possibilities of how to describe the extermination camp in an innovative way. Film makers include more historic information and they have the power to manipulate the facts

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film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust

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TitoloThe film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust

Autore

Sarka Sladovnikova

Call number808.93358/0043

Numero oggetto09617g

Luogo di pubblicazioneStuttgart, Germany

Editoreibidem

Anno di pubblicazione

2016

Paginazionepp 243-253

MaterialeArticle

SerieLiteratur und Kultur im mittleren und o¨stlichen Europa, 5.

ISBN9783838209524

NotesArticle from the book 'The Holocaust in the Central European literatures and cultures : problems of poetization and aesteticization, proceedings of the International Workshop, 18-19 June 2015', pp231-241

Descrizione

The film "Colette" was made in 2013 by Milan Cieslar and narrates a love story with Auschwitz as a back drop. The film presents a naturalistic picture of an extermination camp and the Holocaust, and stresses violence and nudity. It is the first of its kind in the Czech Republic and there are not many possibilities of how to describe the extermination camp in an innovative way. Film makers include more historic information and they have the power to manipulate the facts

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