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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	Fogetting, instrumentalization, and transgression: the Shoah in Israeli cinema Remove from selection Add to selection TitoloFogetting, instrumentalization, and transgression: the Shoah in Israeli cinema Autore Ariel Schweitzer Anna Harrison (translated by)‎ Tom Mes (translated by)‎ Call number791.430909358/0014 Numero oggetto07326k EditoreState University of New York Press Anno di pubblicazione 2010 Paginazionepp181-188 MaterialeArticle SerieThe SUNY series, horizons of cinema ISBN9781438430263 NotesArticle from the book 'Cinema & the Shoah' pp181-188 Descrizione Discusses representation of the Shoah in Israeli Holocaust films. Suggests that representation of the Shoah has changed from films in the 1940s and 1950s which advocated Israel as an alternative to the Diaspora (socialist Zionism), to an ideological instrumentalization in the 1970s by integrating the Shoah into the fear of isolation and threat of extermination, to post-Zionist themes in the 1980s.

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Fogetting, instrumentalization, and transgression: the Shoah in Israeli cinema

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TitoloFogetting, instrumentalization, and transgression: the Shoah in Israeli cinema

Autore

Ariel Schweitzer

Anna Harrison (translated by)‎

Tom Mes (translated by)‎

Call number791.430909358/0014

Numero oggetto07326k

EditoreState University of New York Press

Anno di pubblicazione

2010

Paginazionepp181-188

MaterialeArticle

SerieThe SUNY series, horizons of cinema

ISBN9781438430263

NotesArticle from the book 'Cinema & the Shoah' pp181-188

Descrizione

Discusses representation of the Shoah in Israeli Holocaust films. Suggests that representation of the Shoah has changed from films in the 1940s and 1950s which advocated Israel as an alternative to the Diaspora (socialist Zionism), to an ideological instrumentalization in the 1970s by integrating the Shoah into the fear of isolation and threat of extermination, to post-Zionist themes in the 1980s.

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