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[it-IT]Record tools[it-IT] [it-IT]Displays[it-IT]	Theodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz Remove from selection Add to selection TitoloTheodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz Autore Micaela Latini Call number940.5318/0593 Numero oggetto11617d Luogo di pubblicazioneLeiden, Netherlands EditoreBrill Anno di pubblicazione 2021 Paginazionepp 65-73 MaterialeBook NotesArticle from the book 'Remembering the Holocaust in Germany, Austria, Italy and Israel : "vergangenheitsbewältigung" as a historical quest' pp 65-73 Descrizione Discusses the Beckettian representation of the end time at Auschwitz through the works of Adorno and Anders. The main thesis is that Auschwitz is a Beckettian no-mans land, where it is impossible to distinguish between life and death

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Theodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz

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TitoloTheodor W. Adorno, Gunther Anders, and the representation of the end of time: Beckett at Auschwitz

Autore

Micaela Latini

Call number940.5318/0593

Numero oggetto11617d

Luogo di pubblicazioneLeiden, Netherlands

EditoreBrill

Anno di pubblicazione

2021

Paginazionepp 65-73

MaterialeBook

NotesArticle from the book 'Remembering the Holocaust in Germany, Austria, Italy and Israel : "vergangenheitsbewältigung" as a historical quest' pp 65-73

Descrizione

Discusses the Beckettian representation of the end time at Auschwitz through the works of Adorno and Anders. The main thesis is that Auschwitz is a Beckettian no-mans land, where it is impossible to distinguish between life and death

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