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Outils d'enregistrement Affichages	Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Retirer de la sélection Ajouter à la sélection Titre' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Auteur T.D. Kramer Call number296/0053 N° d'objet10727b Lieu de publicationSydney, New South Wales, Australia EditeurMandelbaum Publishing Année de publication 2004 Paginationpp137-163 MatérielArticle NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163 Description In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Ajouter à la sélection

Titre' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Auteur

T.D. Kramer

Call number296/0053

N° d'objet10727b

Lieu de publicationSydney, New South Wales, Australia

EditeurMandelbaum Publishing

Année de publication

2004

Paginationpp137-163

MatérielArticle

NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163

Description

In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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