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[es-ES]Record tools[es-ES] [es-ES]Displays[es-ES]	Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor Remove from selection Add to selection TítuloTranslating Paul Celan's "Todesfuge": rhythm and repetition as metaphor Autor John Felstiner Call number940.5318072/0011 Número del objeto01804O Lugar de publicaciónCambridge, Massachusetts, United States EditorialHarvard University Press Año de publicación 1992 Paginaciónpp240-258 MaterialArticle ISBN674707664 NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105 Descripción The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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Translating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

Add to selection

TítuloTranslating Paul Celan's "Todesfuge": rhythm and repetition as metaphor

Autor

John Felstiner

Call number940.5318072/0011

Número del objeto01804O

Lugar de publicaciónCambridge, Massachusetts, United States

EditorialHarvard University Press

Año de publicación

1992

Paginaciónpp240-258

MaterialArticle

ISBN674707664

NotesArticle from the book 'Probing the limits of representation: Nazism and the "Final Solution"' pp240-258; Article from the journal Holocaust and Genocide Studies, Vol.5, No.1 1990 pp89-105

Descripción

The poem is performed vocally in high schools, but not one sentence recognises that the poem's form, indict the nation that orchestrated mass murder.

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