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Haneke and the camps

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Descripción

In his chapter Max Silverman considers two films by Michael Haneke "Funny games" (1997) and "The white ribbon" (2009) and shows how the image in Haneke becomes a site of intersection between different times and places and how scenes become haunted by a dark presence of unimaginable cruelty, invisibly located in the present and shaped in the form of the camp

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