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[es-ES]Record tools[es-ES] [es-ES]Displays[es-ES]	Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Remove from selection Add to selection Título' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Autor T.D. Kramer Call number296/0053 Número del objeto10727b Lugar de publicaciónSydney, New South Wales, Australia EditorialMandelbaum Publishing Año de publicación 2004 Paginaciónpp137-163 MaterialArticle NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163 Descripción In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Add to selection

Título' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Autor

T.D. Kramer

Call number296/0053

Número del objeto10727b

Lugar de publicaciónSydney, New South Wales, Australia

EditorialMandelbaum Publishing

Año de publicación

2004

Paginaciónpp137-163

MaterialArticle

NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163

Descripción

In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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