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[es-ES]Record tools[es-ES] [es-ES]Displays[es-ES]	film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust Remove from selection Add to selection TítuloThe film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust Autor Sarka Sladovnikova Call number808.93358/0043 Número del objeto09617g Lugar de publicaciónStuttgart, Germany Editorialibidem Año de publicación 2016 Paginaciónpp 243-253 MaterialArticle SerieLiteratur und Kultur im mittleren und o¨stlichen Europa, 5. ISBN9783838209524 NotesArticle from the book 'The Holocaust in the Central European literatures and cultures : problems of poetization and aesteticization, proceedings of the International Workshop, 18-19 June 2015', pp231-241 Descripción The film "Colette" was made in 2013 by Milan Cieslar and narrates a love story with Auschwitz as a back drop. The film presents a naturalistic picture of an extermination camp and the Holocaust, and stresses violence and nudity. It is the first of its kind in the Czech Republic and there are not many possibilities of how to describe the extermination camp in an innovative way. Film makers include more historic information and they have the power to manipulate the facts

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film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust

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TítuloThe film 'Colette' - risks of a 'modern' approach to the depiction of the Holocaust

Autor

Sarka Sladovnikova

Call number808.93358/0043

Número del objeto09617g

Lugar de publicaciónStuttgart, Germany

Editorialibidem

Año de publicación

2016

Paginaciónpp 243-253

MaterialArticle

SerieLiteratur und Kultur im mittleren und o¨stlichen Europa, 5.

ISBN9783838209524

NotesArticle from the book 'The Holocaust in the Central European literatures and cultures : problems of poetization and aesteticization, proceedings of the International Workshop, 18-19 June 2015', pp231-241

Descripción

The film "Colette" was made in 2013 by Milan Cieslar and narrates a love story with Auschwitz as a back drop. The film presents a naturalistic picture of an extermination camp and the Holocaust, and stresses violence and nudity. It is the first of its kind in the Czech Republic and there are not many possibilities of how to describe the extermination camp in an innovative way. Film makers include more historic information and they have the power to manipulate the facts

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